Page 13 - RNT-C06
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The HISTORY of REDDITCH New Town



       The Paolozzi Mosaics

                                                                           The Paolozzi Mosaics are twelve
                                                                           huge panels each measuring 21’
                                                                           x 10’. They are located upon the
                                                                           four walls of Milward Square in
                                                                           the Kingfisher Shopping Centre,
                                                                           Redditch. They were unveiled by
                                                                           Sir       William        Rees-Mogg
                                                                           (Chairman of the Arts Council of
                                                                           Great  Britain)  on  19th  April
                                                                           1983.      They     provided      the
                                                                           backdrop  for  the  visit  of  Her
                                                                           Majesty  Queen  Elizabeth  II  in
                                                                           July of that year. Paolozzi chose
                                                                           the exact glass tile colours to be
                                                                           used,  in  consultation  with  a
                                                                           resident mosaic artist.
       A master pattern was made for each panel and each colour was coded for assembly.
       Interlocking numbered sheets were individually hand-made and numbered following the
       patterns,  and  the  sheets  were  used  for  fixing  and  grouting  the  panels.  It  took  three
       craftsmen, based in Birmingham but originally from Spilimbergo, two weeks to install the
       work.

       One of the aims of the Paolozzi Mosaics, according to the artist himself, was to provide
       ‘a centrepoint to the living theatre of the shopping centre’. Vast, colourful, impressive
       and entertaining, they succeed endlessly - a public artwork that is literally above and
       beyond a mere gallery. The panels are not meant to be a narrative or didactic work, like
       an academic ‘history’ painting – there is no need to look for a deep meaning. Like Paolozzi,
       we should revel in the colour and exuberance of the work, possibly recognising some
       familiar images, but also enjoying the juxtaposition of the bizarre and the unexpected,
       the  immediacy  and  the  vivacity  for  its  own  sake.  The  work  is  a  great  example  of
       contemporary, non-judgemental, visual communication as well as being, paradoxically,
       an example of ‘high art’ by an internationally renowned artist.










       The  Paolozzi  Mosaci  Panels  in
       Millward Square.

       If you look closely at this image
       you can see Paolozzi himself in
       the bottom left of the image back
       in 1983 admiring his own work.











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